خلاصه داستان : فیلمی بی کلام، بی هیچ نام و نشان و حتی درون مایه که با زبان بدن به نمایش درآمده است.

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

خلاصه داستان : توطئه های همزمان بسیاری در این فیلم وجود دارد. اصلی ترین چیزی که در آن، یک مرد ناامید پدر و مادر خود را با تیغ کشتخ و سپس به سینما می رود. همزمان، وقایع خشونت آمیز دیگری وقتی اتفاق می افتد که دو دختر متوجه شوند ...

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

خلاصه داستان : روزهای نیچه در تورین مقاله ای سینمایی، بدون دیالوگ، درباره ماه هایی که نیچه در تورین ایتالیا گذرانده است، با روایتی که از نوشته های اصلی او نقل شده است...

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.